Darick Robertson on a Unique Twist on the OLIVER Tale
Charles Dickens’ novel Oliver Twist has been interpreted and reinterpreted in pop culture, but never quite like what is seen in Image Comics’...
Ian Boothby & Gisele Lagace on Humor & Horror in EXORSISTERS
Everyone needs the occasional help dispensing with supernatural irritants, and that’s where the Harrow sisters come into the picture. If you need...
Grant Morrison on Hitmen & Unicorns on Syfy’s HAPPY!
Writer Grant Morrison has become almost synonymous with brave, bold storytelling, brimming with Big Ideas. From comics ranging from Batman to The...
Kyle Higgins on Alternate History in THE DEAD HAND
Tales of alternate history fascinate readers and viewers, perhaps because we can indulge our “What if?” questions, either to avoid making the...
Robert Kirkman on Survivor’s Guilt in OBLIVION SONG
How would the world respond to the sudden disappearance of 300,000 people, gone in the blink of an eye? How would culture and civilization change in...
Landry Q. Walker & Justin Greenwood on Genre-Blending in THE LAST SIEGE
While often idealized in pop culture, the actual history of medieval society is riddled with downtrodden members of so-called lower classes kept...
Gerry Duggan & David O’Sullivan on Digital Transparency in ANALOG
The proliferation of technology and the rapidity with which it has advanced in the last couple decades have alternately expanded and narrowed our...
Tee Franklin on Happily Ever After in BINGO LOVE
Finding yourself and expressing your identity are harrowing prospects at any age, but demands from society and family have the potential to make...
Comics to Feed Your Eyeholes for February 14, 2018
Wednesday is New Comic Book Day, the comic fan’s holy day of the week! Here are a few books that are making us swoon on this Valentine's...
Jeremy Haun & Seth M. Peck on Apocalyptic Fantasy in THE REALM
Humans tend to gravitate toward post-apocalyptic tales, in part, because it's difficult to fathom life without us, but also due to the fact that how...